SCIENCE
Tippett Studio Taps the Power of SGI Systems For 'Evolution' and 'Cats & Dogs'
MOUNTAIN VIEW, CA -- SGI's long-time customer Tippett Studio created more than 60 3D-animated shots for Warner Brothers' Cats & Dogs and over 150 3D-animated shots-plus 15 all-CGI 3D creatures-for DreamWorks SKG's Evolution, using a powerful combination of high-performance IRIX(R), Linux(R) and Windows NT(R) OS-based workstations, servers and storage from SGI. Academy Award winner for visual effects for the films Jurassic Park
and Return of the Jedi, Tippett Studio relied on its recent purchase of
10 Silicon Graphics(R) Octane2(TM) IRIX OS-based visual workstations,
25 Silicon Graphics(R) 230 and Silicon Graphics(R) 330 Windows NT OS-based and
Linux OS-based workstations, an SGI(TM) 2100 high-performance visualization
server and a 2TB SGI(TM) TP9400 storage system, in addition to previously
purchased Silicon Graphics(R) O2(R) workstations and SGI(TM) Challenge(R) and
SGI(TM) Origin(TM) family servers. "This was the first time we had IRIX, Linux and Windows NT workstations
from SGI all working on the same production," said Eric Leven, Tippett
Studio's CG supervisor on Evolution. "We started with a large number of
Silicon Graphics O2 workstations and a render farm made up primarily of SGI
Origin 200 servers. Later we added a smaller number of dual-processor Silicon
Graphics Octane2 workstations and, for the first time in the shop, we began
using Windows NT and Linux operating systems running on Silicon Graphics
230 and 330 visual workstations. Compositors used 10 Linux OS-based machines
from SGI with 20 processors to run Nothing Real Shake and additional
processors to run Pixar RenderMan. The animators used the Silicon Graphics
230 workstations, and we found that those boxes gave us the best performance
from Alias|Wavefront Maya on Windows NT. The technical director, the paint
artists and the modelers used Maya and Alias StudioPaint software on the IRIX
OS-based O2 and Octane2 workstations. Then everything was networked together
and rendered on SGI Origin family servers." Tippett Studio designed all the visual effects sequences in Evolution,
including 15 never-before-seen creatures. Maquettes were sculpted from the
final creature designs and scanned into Silicon Graphics O2 and Octane2 visual
workstations using a 3D laser scanner. The digitized creatures were then
refined and manipulated by Tippett Studio's world-class character animators.
The studio's 120-plus Evolution crew also created many other unique CG effects
to accomplish the 150-shot production, from the seemingly adorable dog
sequence to the apocalyptic finale-all created on its networked mix of SGI(TM)
high-performance visual workstations. SGI technology was key to finishing the
immense project on time. According to Leven, "From the very beginning of
preproduction to the last shot was about 11 months, from July 2000 to June
2001, which was a crazy schedule. I think we were averaging about six shots
every week for the entire duration of production. It was absolutely the
shortest schedule we ever worked on." For the live-action Cats & Dogs, which turns the age-old animosity between
house pets into a full-scale war, Tippett's 50-artist team again used the full
complement of SGI high-performance workstations to create 60 shots of digital
cats, primarily to replace the live-action cats' heads to animate facial
expressions. Using Silicon Graphics Octane2 workstations, Tippett created two
CGI dogs, including a digital beagle who catches a boomerang, is propelled
around a room and lands at the feet of a digital cat, where a fight ensues. On
the Silicon Graphics O2, 230 and 330 visual workstations, artists also
designed a 3D CGI version of the mercenary villain, called "the Russian," who
is a Russian Blue kitten outfitted in a CGI weapons vest complete with guns
and knives. Scott Souter, Tippett Studio's co-visual effects supervisor with Blair
Clark on Cats & Dogs, said the producer's primary directive was photo-real
animation-the stock-in-trade of the Berkeley, Calif. facility, which has used
SGI technology since it opened in 1983. "Our studio came into play because of
our history with naturalistic, yet fantastical, animation. Our ability to
blend those two characteristics, to keep something real-adhering to enough
physics to keep it believable and natural-yet be able to take the character
beyond and into the realm of, in this case, very acrobatic, highly specialized
fantastical animations is a very large part of our trade," said Souter. To
truly achieve photo-realistic animals, Tippett Studio's in-house research and
development team created its own fur software. "We linked the fur software
between Maya and RenderMan; it's a little thing that bridges the gap between
the two," explained Souter. "It was just for fur and fur curve information,
written primarily on Silicon Graphics O2 systems." Souter noted that Cats & Dogs compositors and animators were just as
pleased with the Linux and Windows NT OS-based Silicon Graphics 230 and
330 visual workstations, as were the artists who worked on Evolution. "We
started production on the IRIX OS-based O2 workstations, and then toward the
middle and end of production we started animating in Maya on the Windows NT
OS-based workstations from SGI," Souter said. "That worked out very well. It's
definitely the choice of our animators, because Maya seems to perform better
on Windows NT boxes from SGI." "Tippett Studio's technological evolution-the networking of IRIX, Linux
and Windows NT OS-based workstations from SGI-creates a powerful production
pipeline that enables artists to complete an amazing amount of content
creation and effects work to meet seemingly impossible deadlines," said
Greg Estes, vice president of corporate marketing, SGI. "Tippett's continued
choice of SGI technology to meet the ever-increasing demands of visual effects
production is testimony to the power of SGI's strategy to be the computer
company for the entertainment industry-regardless of operating system. We are
particularly pleased that the Linux OS-based workstations from SGI played such
an important role in these two summer blockbuster films." For more information visit www.sgi.com